Getting comfortable with an uncomfortable self: a musician deepens her creativity
/Humans are messy creatures, full of profound and sometimes scary contradictions. It’s not unusual to keep a conflicting idea out of awareness in order to cope - usually without realizing we’re doing it. It’s frightening not to have answers about the world, or even about yourself. But when those contradictions are out of awareness and inaccessible, we suffer without realizing it. We miss out on perceiving things around and in ourselves that are exciting or beautiful, lose access to some of our best ideas, sometimes feel numb or unsure what we want, and, if we are are creators, we might find ourselves producing one-dimensional work, or even unable to come up with any ideas at all.
What to do about this dilemma? After all, there’s a reason you’ve developed ways to keep things out of awareness. Some combination of life experiences has taught you that it isn’t safe to feel these contradictions. That’s where psychoanalytic therapy comes in. It’s my job to not only to help you notice when a conflicting idea is being kept out of sight, but also to help you understand why it feels necessary to keep it there, and to help create a space that will gradually make it safe to access that more complicated self.
In an article on NPR, Marissa Lorusso describes successful pop artist Robyn’s extraordinarily complex music, and its parallels to her experience in psychoanalysis. In her work on the couch, Robyn discovered that contradictions inside aren’t necessarily contradictions: once you let them in, you can start to understand the ways in which they can be multiple aspects of the same truth, sort of like the way light is both a particle and wave, depending on how you measure it. As Robyn opened to more of her self, her music moved toward a greater complexity, “resisting simple rewards," “unconcerned with the need to decide anything definitively or urgently.” The post-analysis album, the reviewer suggests, represents a move toward something “freer…more honest.”
Of course, every artist grows with time, throughout their careers, but the parallels between the kind of musical growth Robyn seems to have made and the kind of growth that happens in psychoanalytic therapy is striking. She seems to have opened up to herself, and in doing so, her work has blossomed.
As a creative artist myself, I believe that the freedom to explore all of myself, hard won in my own work on the couch (an essential part of every therapist’s training!), allows me to create more interesting and complex work, unencumbered by the limitations of my fear.
You can read the article and listen to some of Robyn’s music here: On ‘Honey,’ Robyn Dances Toward Stillness
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